Marina Borodina Biography

Where to give the child to help him to reveal his potential as much as possible? To solve this problem will help ... Acting skill! Today, the actress and teacher - Marina Borodina will talk about the benefits of acting for children and that gives the theater circle not only artistic and sociable from nature to the children, but also shy children. And also Marina will share her life story and tell about the thorny path to the profession.

Have you dreamed about the stage since childhood? And since childhood, my brother and sister and I put a variety of performances, concerts and ideas for our relatives. All birthdays took place very cheerfully - then there was no such thing as “animators”, we ourselves wrote a program of the holiday, invented games and various tests to make everyone interesting. The guests were always surprised how great it is.

Previously, few spent family holidays in this format, usually they simply set the table and that’s it. Went to some kind of theater studio? Without hesitation, I replied that I was theatrical, although I didn’t even know if there was such a circle. To my happiness, such a studio existed, it was called - "Eldorado." Her leader is Lyudmila Stepanovna Matis. Then the selection of children in this studio passed.

I came a little later, when the guys were already recruited. But they took me anyway. And I was happy! I played the role of a mouse there. Interest in the theater, as I said, woke up in childhood. But the teacher in acting, I was offered to become accidental when I worked in the theater as an actress. Colleagues worked part -time in different places, at different events - one of the actresses suggested replacing it.

I agreed. Then they offered more, but in another place. So I gradually gained experience with children. I graduated from the Yekaterinburg State Theater Institute, the course of Andrei Ivanovich Rusinov - one of the strongest masters. There I worked for eleven years as an actress. The work was combined with part -time jobs in various studios, where she taught acting but these were studios of a general developmental level.

Plus, I put the last calls in schools and gymnasiums. In a word, I worked a lot with children. How did you return to Kamensk?

Then everything was closed, and in my life a black strip began. I divorced my husband, then dad dies, mom is sick. And I am one with a child from Samart and remain without work. Next, I come to my mother in Kamensk. In order to somehow survive, I worked part-time at the holidays. But it was not stable, and I was torn between Yekaterinburg and Kamensky. I really had the moment when I went to the Red and White store for an interview.

But one conversation was enough for me to understand that this is not mine, that I could not work here. I realized that I need to look for something related to creativity. And I called to find out whether the teachers were needed - they answered me that the directors are not today, but the information will be transmitted. And literally a few days later, the school principal calls me and says that they had a teacher of the theater department and they just need an employee.

In general, everything coincided. It was there that I received colossal experience and decent results. It is also important to be a good psychologist here in order to respond correctly to different situations, since the children are very good manipulators and they always “probe the soil” permitted. If you do not put the boundaries in time, then it will only be worse. I also want to note that the atmosphere of classes is important - it is necessary that it be positive and light, but at the same time discipline is also important.

From the first lessons, I try to explain that attention is very important in the acting profession. But, as everyone knows, children have huge problems with this. Therefore, we work first of all on attention, and only then, when they hear the teacher carefully, then you can already create and create something. And there are the other way around - fixed and modest children.

I try to work carefully with such guys - a feeling of comfort is important for them, I never give it a result at once, because they must first open and trust. And, in fact, such guys, as a rule, surprise and amaze even parents! And parents sometimes come up and say: “But we did not know that mine could! Of course, when a good result is obtained, everything returns several times more, but at the very beginning you need to invest enough.

It happens that they arrange tantrums, fight or simply do not want to engage. The main thing is to remain calm and not react sharply. It is necessary to give the opportunity to survive these emotions. If he doesn’t want to engage, I do not force, but I say: “Then sit, the main thing is that it does not interfere with others.” And very often a miracle occurs - it after some time is included in the work.

But, of course, everything is individual. When fights take place and some of the situation, we begin to discuss this with the whole team so that everyone expresses our opinion. It is important that the guys understand that they are not only scolded, but they are found out and disassemble a specific situation.It is always important for me to find out the cause of the conflict, and not just shut up the child.

I am talking a lot with younger groups about discipline and this gives a good result over time. The main thing is that there is always contact with the children, so that they do not go offense, otherwise they will close and close and perceive you as an enemy. Why do you love her? But it seems to me that it is very important to share experience with children. It's like a continuation of you and the case you learned.

I always want to develop and improve, since the profession of the teacher is very responsible - the future of the child depends on the foundation. This work opens up new facets in me. I never considered myself a director, because I have no professional directorial education. But when my productions caused a violent reaction in different viewers from children to the older generation, when the whole hall cries and laughs, and then comes up to me and shares his impressions ...

It is worth a lot, at such moments you understand that everything is not in vain. And, of course, the results of competitions of different levels also give some internal confidence that I am moving in the right direction. Somewhere I interact with the teacher in choreography and vocals. Here you need to work very tightly and correctly explain what you want. It is necessary to be sociable, have organizational abilities, creativity and many other qualities.

And if we talk about the acting profession, then the mobility of the psychophysiological apparatus is important here emotional mobility - all the actors are a little abnormal, that is, their psyche is very mobile, since you need to be able to quickly switch to different emotions from joy, to despair. Observation is an acting piggy bank, which gives a lot to create an image of the character.

But of course, speech, plastic, voice and accompanying talents and abilities, the more the actor knows how, the better! I love in winter I love skating. I am also very charged with travel. And of course I hope that it will be possible to put a new performance with the guys until I say which one. How to contact you? The main news of Kamensk-Uralsky.