Biography Bulatovich
He graduated from the elementary school in his native place, the gymnasium - in Krushevac, studied psychology and history of literature at the Faculty of Philosophy of Belgrade University. Participated in the people's liberation struggle.
After the war, he lived in Belgrade and Slovenia. She became one of the most characteristic evidence of the aesthetic changes that occurred in Yugoslavia - anti -socialist and realistic, the revival of modernist and avant -garde traditions. On this basis ... there was a meeting of Yugoslav literature with existentialism. Program naturalism and phantasmagoric symbolism of B. One of the heroes of his story “Tyrania” - an artist who largely expressed the aesthetic position of the author, speaks of his desire to depict “human hell, a disease of human brains”.
In contrast to the heroic past and the present in B.'s stories, the critic saw in them the continuation of B. Stankovich’s tradition in his image of “God's people”. Like Stankkovych, these heroes sublimate in B.'s stories and most importantly - kindness and forgiveness. The forces opposing them personify the images of the rich and the power. And if in the first collection the writer did not distance himself from the forces of evil, for which he was criticized, then in subsequent works - the collection of stories “Wolf and the Bell” “VUK and READ”, and the novel “The Red Room Flies to the Heaven” “Croveni Petao Letti Premes Neba”, which was translated into more than 20 languages in a short time - a weak faith and hope, although they are not hope.
They change the general atmosphere of comprehensive pain, suffering and powerlessness of good. Compositionally, the action is framed by folklorus depicted and equally folklore combined wedding and funeral. The action itself breaks up into independent, practically in no way interconnected episodes. The characteristics of the characters are reduced to one hypertrophied feature that turns them into a constant of the main meaning.
Together, these ugly, unfortunate, rapists or violence people create a tragic picture of earthly human existence. The life of the Montenegro period of the Second World War and after it there are separate signs of the place and time appears as a “terrible planned road”, along which vags, matchmakers and graveters, “barefoot and ragged, dirty and neglected”.
And from the side of the road, “sick children with thin necks, mostly naked and mowed, look at them; Sharp -headed fathers - townspeople with bags under their eyes; Shcherbaty, short -legged babeshashi with hanging stomachs; Gray old people and slobbering old women, rudeness and weightless. ” His vision of war as a global evil and nonsense B. The magazine version of the novel, published in Yugoslavia, was prohibited, he went to Germany B, and in Belgrade appeared only in the hero of the work, the Korschmar, wanting to become famous, performs curiily “exploits” during the Second World War: he spreads in Italian officers with pornographic cards its own essay or shouts revolutionary slogans during the parade of Italian troops, causing only the laughter of drunken invaders.
The naturalistic scenes of the manifestation of the heroic sexuality of the hero, the scenes of debauchery and violence, the elaboration of the writer's style were designed to create a picture of universal decay and madness of low passions. Prose B. In the implementation of this desire, the writer was especially radical. They also contain two main style streams - psychological and mythological, rational and irrational, individual and collective, locally designated and universal, but united by one task - exposing the ontological problems of existence, reduced to the animalized, biological function of life.