Brief biography of Zolotarev

Alexey Mykitenko 24 APR AT PM The only student of Zolotarev in the composition was Alexander Petrovich Nagaev, who lives in Magadan today. Zolotarev taught him what he knew about dodecafonia.

Sonata for Bayan Nagaev, which he wrote after the death of Zolotarev, is dedicated to him. In it, Nagaev wanted to describe the tragic path of Zolotarev. Another component of Zolotarev’s life in Magadan was the club of the creative intelligentsia, which officially met at the Palace of Culture, as well as unofficially at the house of the participants. It included writers, artists and musicians.

They showed each other their works and discussed issues of art, politics and philosophy. Here Zolotarev received support and developed new ideas. The KGB followed the club, as the club members strove for individuality and did not obey Soviet ideology. Samizdat texts have prayed in the club reprinted works that were prohibited, and Zolotarev also read them, for example, the texts of A.

Solzhenitsyn and B. could only please the storage of these essays by the club. The club invited former prisoners who still lived in Magadan, to meetings, where they talked about their destinies. All this led to the fact that Zolotarev was critical of the Soviet system. To the final exam in the school in June, Zolotarev prepared works such as Chacon I. Buzoni, two organ preludes by D.

Biosthuda, several parts from the "Pictures from the exhibition" of M. Mussorgsky, as well as several of his works. The level and duration of his game was clearly distinguished against the background of exams of other students. He received a recommendation to continue classes in the conservatory. But while he decided to go to the Bayan teacher to the village of Providence Bay on Chukotka, so that there, away from the hustle and bustle, to compose music.

There he worked for a year since January G. In the Providence Bay, Zolotarev wrote the dramatic poem "Martin Eden" for Alta and the String Orchestra, inspired by Jack London’s novel. With the main character of the novel, the composer identified himself, and really between Een and Zolotarev a lot of amazing parallels. In addition, Zolotarev identified himself with Zarathustro F.

Nietzsche and the green Henry G. that the composer was familiar with Nietzsche's texts can be considered a feature in the Soviet environment, where the philosopher was officially condemned. In M. Mitchenko, he was delighted with the music of Zolotarev, he saw in her the future of the button accordion repertoire. He took several works with him to Moscow and soon began to use them in his concert programs with which he traveled throughout the Soviet Union.

Partite especially caused something similar to a revolution in the button accordion after the first performance in Moscow in October. As before, in Magadan, music divided the audience into two camps, but she left no one indifferent. The orchestral thinking of the composer and the new beginning in the bang repertoire were especially noted. At the beginning of G. Zolotarev, with his wife Irina and her son Vladislav, moved to Moscow, where he worked as a copyrighter in the Muzfond for two months.

In Moscow, the composer continued to work on a new repertoire for Bayan. Volkova and A.