Vladimir Zeldin artist biography

As soon as Vladimir Zeldin returned to Moscow, he was sent to a tank school. However, after three weeks, all mobilized members of the film crew were returned to the site. I remember how the last scene “Swinarks ...” was shot - the very one where the old man chaban smokes the phone, and my Musab Gatuev asks him: “Father, you are old. But you have a young man's heart. You add up the songs that the whole village sings.

Follow the song about my love, fiery and tender, like the spring sun. I will put her in the envelope and send her by registered letter to the north, where Bor, where there are many, many snow ... ”It seemed to me that nothing special was to play here. Satisfied that we met the schedule, I completed my scene. But suddenly Pyryev arranged such a variety that it became a shame. He forced him to be reached more and more - until the scene reaches the desired quality.

He needed people who were tired of the war, bombing and deprivation, looking at the screen, again felt in the middle of the former peaceful life and believed: it would end well. The film was released in the year, and a year later, Ivan Pyryev was awarded the Stalin Prize for him.

Vladimir Zeldin remained in Kazakhstan for two years, here he worked in the Russian Drama Theater. In the year, the actor returned to the Moscow Theater of Transport. In Russia, this work never went. She adapted the ancient text for the Russian scene, since many concepts were unfamiliar to the modern viewer, and objects have long gone out of everyday life.

Music was written by composer Alexander Crane, a connoisseur of Spanish folk melodies, author of Laurencia ballet. There was only a main role performer - the impoverished nobleman Aldemaro, who fell in love with the beauty Florel and entered her house under the guise of a dance teacher. Play this character and invited Vladimir Zeldin. Initially, the director did not plan to insert large choreographic numbers into the performance.

But then Vladimir Chancelle saw Zeldin dancing. And in the production there were fragments of real folk dances - Tarantella, Bolero, Fandango, Pavan and others. The performance with the Angels was in the theater from a year - almost performances. In half of them, Vladimir Zeldin played the main role. In the year, the Army Theater set the comedy of Eduardo de Filippo “My Family”, where Zeldin played Corrado Kuoko, a young Neapolitan, who chased a motorcycle and constantly found out a relationship with the bride.

In the year, the author of the work, a classic of the Italian theater, came in the USSR. For some time it was forgotten that I was the author and the actor himself. I definitely spied the life of someone else's family from the outside, ”De Filippo quoted Vladimir Zeldin in his memoirs. In the year, the "my family" of the Army Theater was recorded for the radio. Films and the Third Youth in total at the Army Theater Vladimir Zeldin played about 60 roles, he performed another 50 in the cinema.

About two paintings by Ivan Pyryev - “Swinark and Shepherd” and the “Tale of the Siberian Land” shot in the year - Zeldin said: “These films made me.” Seeing with what grace and fate, Zeldin is trying on a white jacket, who brought him a wife from Italy, Smoktunovsky exclaimed: “Well, he, Serebryakov! No, the third. The second came after Serebryakov. " Over the past 30 years of his life, the actor starred in 22 paintings, did not even refuse small roles, if "there was something to play." For this role, he was awarded the Crystal Turandot Award.

The production on the stage of the Army Theater was carried out by Julius Gusman. Zeldin is “sewn” not in an old manner. He takes Don Quixote to play and plays not a dying old man what would be and permissible, and of course, an old aristocrat, whether something really, or in his visions and his senile delirium was a knight of a sad image that lies and recalls.

He plays Don Quixote by a man in full height, he sings, falls on one knee in front of the lady and instantly rises without outside help. And sings - better than anyone else in this performance. The beloved wife of Ivetta Kapralov, whose marriage lasted 52 years, survived her husband for only three months. Zeldin had no children, the only son from his first marriage died in the year.

In publications.