Litvinova actress biography


Litvinova divided the film into several parts and added directorial comments between fragments. This documentary about life, death, cinema and love was Nonna Mordyukova's last work. Taiga romance. " In it, the director showed the life of a military garrison in a deaf taiga town on the border with China. Renata Litvinova played in the series nurse Albina Voron, a woman with aristocratic habits, which seems alien in a military garrison.

This was the first role of Litvinova in the cinema for the mass viewer, and she brought the actress all -Russian glory. The heroine was weighed by life in the taiga, an unsuccessful marriage and everyday life: “And this is my life. So short. So unique. Such a single one. Nothing is waiting for me ahead. And I will die on the border with China, stirring cabbage soup, right?

In the year, Renata Litvinova married businessman Leonid Dobrovsky and then gave birth to a daughter Ulyana from him. Three months later, Litvinova returned to work, and in the year the melodrama “Heaven. It was a remake of the picture of the year “Once again about love” based on the play by Edward Radzinsky “Pages of Love”. The director was Vera Storozhev, and Litvinova herself acted as an actress, a screenwriter and producer.

According to the plot, the Lara flight attendant, who was played by Litvinova, met between flights in a cafe at the airport of a television journalist George. The heroes fell in love with each other. And he - not immediately, gradually, with caution. In the year, the British director and writer Peter Greenaway invited Litvinova to participate in the foreign multimedia project “Tuls of Luper's suitcases”.

In it, the author talked about the life of a fictional writer who spent his whole life in prisons. The project had to include three full-length films, a series, video materials on DVDs, websites, books and audio. The project was not popular with the audience, and due to the limited budget it was not possible to fully implement it. The goddess, “The Green Theater in Zemfira” and “The Last Tale of Rita” in the year, the first full-length feature film of Litvin-resident, the surreal drama “Goddess: How I fell in love”, was released on the screens.

As in the case of the picture "Heaven. Girl ”, Litvinova played a major role here, became a screenwriter and producer. According to the plot, the inquiry officer Faina is trying to reveal the case of the loss of a young girl who came to her by accident. In order to find a criminal, Faina needs to do what she never did - to love. The film is built on the internal experiences of the heroine.

About the turning point of the picture, in which the mirror double of Faina appears, Litvinova in an interview with Ruskino said: “We made a purely professional detective, such a genre film, and the genre ends and my personal, copyright cinema ends and begins. I would even say poetry begins. ” The title song “Love as an accidental death” for the “goddess” was written by the singer and composer Zemfira Ramazanov, and her long creative cooperation with Litvinova began with this work.

In the year, the Publishing House "Poster" published a book by journalist Alexei Vasiliev "The goddess. Talking with Renata Litvinova. " In addition to the interviews recorded in different cities during the year, the book included chapters from the story “possess and belong”, as well as novels that were not previously published anywhere. In the year, the Amphora Publishing House published the story completely, accompanied by the realized - “monologues of nurses”, “Three stories”, “Two in one” - and unrealized film scenarios.

The preface to the book was written by Kira Muratova. Two weeks before the premiere, tickets were sold out. The production received mixed reviews of critics. Marina Shimadina wrote in a review for the newspaper Kommersant: “... [textbook phrases] sound differently-some are better, worse, in the usual for Mrs. Litvinova, but directly revolutionary for the Ranevsky manner.

All pathos monologues, which, according to the common theatrical tradition, are supposed to pronounce with a big feeling, looking into the distance, the actress hopelessly fails. She makes the famous speech about the cherry garden almost with annoyance, like strangers imposed on her for some reason. But, confessing to Petya in her sinful love, she sets the “shabby master” of the heat.

The actress and her heroine in a way unite her weak forces to protect: one is frightened and bewildered from the need to stand on the forefront for the first time in front of a huge hall, not closing the television screen from the viewer, the other is also driven into the corner of the disastrous and their own helplessness, multiplying on the ugly of the conscience.

” And if in the first film the role of the secretary was episodic, then in the second Litvinova played the main character - a tattoo dying of leukemia, which has to make a choice between life in comfort and her feelings. In the year, a full-length documentary concert “Green Theater in Zemfira” was released, the director and screenwriter of which was Litvinova. Prior to that, she had already shot several clips for the singer, including the single “We break up” in the year.

Litvinova actress biography

In addition to these records, Litvinova used the documentary chronicle of the European tour, which passed in the spring of the year, and several autumn concerts of Zemfira in Russia.In the year, the Green Theater in Zemfira became the best music film according to the independent musical prize "The Steppe Wolf". In the fall of the year, the fantasy drama “The Last Tale of Rita” was released in Russian and world rental.

Work on this ribbon, in which Litvinova raised the topic of death, went about two years. Renata Litvinova wrote a script, directed and produced a picture, Zemfira completely wrote music for her. The heroines of the film were three friends - the doctor Nadia, the nurse Morge Tanya Nepelivko, who was played by Litvinova, and the seriously ill Rita Gauthier. Nadia became her attending physician, who does not dare to tell Rita about the diagnosis.

Tanya, an angel of death, takes care of Rita, who knows how to move between the world of living and the dead with the help of old buildings. As Litvinova herself said, Tanya is a mythological creature that is “faked under a person”, her task is to collect beautiful souls and accompany them on the last journey. The play and the film “Northern Wind”, the public and personal life with the debut of Renata Litvinova in the theater directing was the play “North Wind”, which she staged in the fall of the year on the stage of the Moscow Art Theater.

The heroes of the production are a noisy and motley family, celebrating several holidays together, which in the course of action merge into one long. Old age and death became additional characters in the production. Litvinova symbolically spoke about the meeting of each hero over time and death. The characters of the performance die in turn, the actress herself leads them away from the scene in the image of death - slowly, each time stopping the clock that are on the stage.

Each hero is given a year, everyone has his own love story and personal tragedy. According to Litvinova, despite the motives of old age and departure that are clearly and acutely present in the “north wind”, the main theme of the performance is love. In November, the film of the same name was planned. In it was played by the daughter of Litvinova Ulyana, who studies at the London Acting Department.

The film does not duplicate the play, but rather becomes its logical continuation. In the center of the story - two women, the mother and wife of the protagonist who are fighting for his love. The main soundtrack, like music for the performance, wrote Zemfira. Renata Litvinova continues to appear in public and participate in various creative projects. In March, she visited Fashion Week in Paris and gave an interview to Ksenia Sobchak, in May took part in the cherry forest festival in Moscow, and in the summer, together with her daughter, starred in the trailer for the film North Wind.

In publications.