Biography of the bread

The Santalovo of the Novgorod province was born in the Winter ulus Stavka, where his father, a naturalist scientist, served as the trustee of the ulus. He received a good home education, P. Benkov and L. probably visited the Khlebnikov family, as a volunteer, he visited the drawing class of the Kazan art school - where the younger sister studied - V. Khlebnikova, who later became the artist.

He entered Kazan University for mathematical, then did not graduate from the natural department of the Physics and Mathematics Faculty. He transferred to the University of St. Petersburg to the natural branch of the Faculty of Physics and Mathematics, then he did not graduate from the Department of the Historical and Philology Faculty, and was excluded in the first literary publication, a year before his ornithological note was published.

In St. Petersburg enters the circle of Vyach. In close to V. Kamensky, the brothers Burliuki, M. Matyushin, E. Guro, as a result of which the term “will be” the term Khlebnikov or Cubaturists formed. In the same year, Khlebnikov’s autograph was shown at the exhibition “Impressionists” Petersburg as an illustration of the psychological unity of the word and plasticity.

In the will, A. Mayakovsky and B. almost all the cubotourists were equally equally poets and artists. On the rights of the autonomous group, they entered the "Union of Youth" and from issues a joint collection "Union of Youth". Drawing in a word -making manuscript. Near paper, ink. The manuscript imitating the self -portrait of A. The beginning x. Canvas, oil. The search for new means of expression, the desire to reassess values ​​in art, the creation of a new picturesque and poetic language, interest in material and texture, the idea of ​​“shift”, installation on shocking - these and other features common to poets and artists, were manifested in a typographic experiment on the publication of lithographic books.

The works of Khlebnikov were published in the collections of "Mirskonts"; with illustrations of M. Larionov, N. Goncharova, N. Rogovin, V. Tatlin, “Game in hell”; With illustrations of Goncharova, “Game in hell” 2nd ed. Malevich and O. Rozanova, "Big Lesin"; with illustrations of Rosanova, N. Kulbin, twisted, “Tae LE”; with illustrations by Rosanova and Kulbin and others.

Filonov performed a lithographic application to the “Izbornik” Khlebnikov, where the letters were turned into peculiar icons. In the assistance of D. Burliuk, a separate publication was published by Khlebnikov’s pamphlet “Teacher and Pupil”, written in the genre of philosophical dialogue. B - in the futuristic publishers, the books of Khlebnikov “Red” with the illustrations of Malevich and Burliuk, “Creations” - with illustrations by V.

Burlyukov, “Izbornik” - with illustrations of Malevich and Filonov. The poet became known primarily by his word -making of the poem “The Castle with Laughter”, “Bobeobi sang lips ...”, “About Dostoevsky ...” and others. He found analogues of his search in the field of language in the latest French painting, which he got acquainted in the C. collection for the works of the first period to a peculiar mythologism, folklorism and non -primeism, the drama “Snezhimochka”, the poem “Vila and Goblin”, “Shaman and Venus”, which is related by Khlebnikov with the work of Larionov and Goncharova.

He was drafted into the army in the poet. The anti-war theme was reflected in the cycle of poems “War in the Mousers”-in the Gilyansk campaign of the Red Army in Iran took part in the Gilyansk campaign, which was the result of the poem “Pipe Gul-Mullah” and a cycle of poems. Episodically worked in the editorial offices of the newspapers: "Slav" St. Petersburg. He published a number of historiosophical works on the basis of the “laws of time” developed by him: “New Doctrine of the War”, “Time of the World”, “Boards of Fate” - and others.

He found numerical patterns revealed to him earlier in other areas in the Suprematic works of Malevich, which he called the “shadow drawings” “The Head of the Universe. Time in space. " The modernity was reflected in Khlebnikov’s poems - “Chairman of the Chek”, “Present”, “Night before the Soviets”, “Night Search”; Utopic motifs - in the poem “Ladomir”, the article “Radio of the Future” in the new, created by Khlebnikov synthetic genre of superpower, written “Children of the Otdra”, which included all the topics and discoveries of the first period of the poet’s work were published in the collection “The Roller Parnas”, and “Zangezi”, which became the completion of the second period, was published with the extension of the work of P.

Khlebnikov died in Santalovo, where he left with Miturich in different years Khlebnikov was close with Yu. Annenkov, D. Burliuk, Goncharova, B. Grigoryev, M. Dobrovsky, V. Ermilov, Larionov, Matyushin, Miturich, M. Sinyakova, Tatlin, Filonov and other artists, many of whom wrote his portraits and wrote his portraits and his portraits and wrote his portraits and wrote his portraits and wrote his portraits and illustrated his works.

In Ginhuk, Tatlin made Supervove Khlebnikov Sangezi. The literary work of Filonov, Larionov, Goncharova was under the strong influence of Khlebnikov. Khlebnikov’s drawings have been preserved: student work, portraits, self -portraits, landscapes, sketches, illustrations for their own works.Of particular interest are numerous images of birds, as well as drawings in word -making manuscripts.

His works regularly mention artists of a very wide circle: Hokusai, Murillo, Goya, Corredo, K. Bryullov, F. Malyavin, K. Korovin, Filonov, Goncharov and others. Many poems and poems of Khlebnikov go back to certain works of painting. So, the prototype of “children of the otter”, according to the poet himself, is the “swimwear” by A. Savinov the correct name - “Bathing of horses on the Volga”.

Among the sources are the work of Boticelli, Felicien Rops, N. Kasatkin, V. Surikov and others. In articles and letters, Khlebnikov repeatedly spoke out on art issues, including the avant -garde. The priority of fine art in finding new means of expressiveness in it expressed the formula: “I want the word to boldly go signed” the sketch “We want the Virgin Words”.

In the article “Artists of the World! In the article “Monuments ...” in many respects anticipated a plan for monumental propaganda, carried out in the first years of Soviet power. In the article “We and Home”, he talks about the architecture of the past, present and future in the verses of Khlebnikov often uses the techniques of Ecfrasis, the verbal portrait starting with the early “Bobeobi ...” and the landscape, for example, in the poem “In the homeland of a beautiful death - Mashuk ...”, the poet “Poet” and others.

In the prosaic things “sleep”, “ka-2”, “the law of the sets reigned ...” Khlebnikov gives a generalized image of exhibitions of recent painting, proclaims “the victory of the eye over hearing”. The poet included N. Altman, D. Burliuk, Malevich, Matyushin and other artists into the utopian society of the “chairmen of the globe” created by him. Khlebnikova Astrakhan, other archives and private collections.

Literature: N. Velimir Khlebnikov: Life and creativity. From the meeting of the timing. Velimir Khlebnikov: The nature of creativity.

Dictionary of neologisms of Veliirah Khlebnikov. Notes of the harsh realist of the avant -garde era. Khlebnikov and Malevich: in search of significant elements; K. Khlebnikov; D. Neopimitivism in Russian painting and poetry of the 10ths; A. On the metamorphoses of mava, deer and warrior: to the problem of dialogue between Khlebnikov and Filonov; B. Collected Works: in 6 tt.

About Khlebnikov: contexts, sources, myths. Velimir Khlebnikov.